Parting Clouds at Fields End, Stefan Berg, 2025 By Rebeccah Love From its earliest incarnations, landscape painting has been bound to the practical needs of society—engineers sketching blueprints for complex hydraulic systems in prehistoric communities, or rulers commissioning depictions of their expanding territories to assert control, divine authority, and power. As the centuries unfolded, these utilitarian beginnings gave way to new intentions: in the Netherlands, landscap

Review by Rebeccah Love In my undergrad Art History lectures, our professor paid special attention to the Impressionist works of Edgard...

Photo by Huy Lam Interview by Rebeccah Love Stefan Berg is a painter and printmaker known for his urban landscapes of Toronto. His work...

In 1974, towards the end of her fourth year at York University's Fine Arts programme, Judy Singer was discovered by the late Jack...

A graduate of the Humber College Film and Television Production program, Maziyar Khatam is an Iranian-Canadian Director/Writer who is...

In a world of collective screen addiction, Toronto Arts Report Editor Rebeccah Love speaks with four artists/artisans about their...

Toronto Arts Report Editor Rebeccah Love sits down with Sewerfest founder and lead programmer Alex Hennessey to learn more about this...

Alexander Gallant is a singer-songwriter from Halifax, Nova Scotia. In the tradition of A Singer With A Guitar, Alexander’s songs are...

A Tree of the Twelve Fruits, Matt Bahen, 2024 Article by Rebeccah Love Chuck Beamish’s mid February exhibition opening for “The Poetics...

Stephen Hosier is a Toronto-based filmmaker and producer. A graduate of Toronto Metropolitan University (2014), Hosier has directed...